Mann is in my sincere opinion one of the satisfactory movies of 1999. it’s far before everything a totally excellent, light romance which later will become a unhappy and emotional drama. The story is very stunning and is reminiscent of the 1965 classic ‘Arzoo’, the song is notable, and the acting may be very powerful. a few of the songs, “Khushiyan Aur Gham” is certainly one of my maximum favourite songs ever. Aamir Khan offers an super overall performance. although he isn’t very convincing as a womaniser, he’s very good as a suffering lover.
I think the high-quality issue approximately his acting at that point of time was his simplicity and reticence, and that he by no means tried to do extra than required (as I stated, at least till that factor of time). Manisha Koirala offers an incredible overall performance. She is excessive, compelling and shifting as continually and does not at any factor try to victimise her individual. The movie’s massive tragic twist is a tough second to see, a moment which makes you realize how surprising life can be and how vital it is to cherish each moment of it. that is a splendid and touching photograph. I rather recommend.
The great movie within the final 2 a long time. Aamir Khan outdid himself in every scene. Manisha Koirala became very stunning and her ache is clear throughout the film. virtually the high-quality movie she has acted in. Sharmila Tagore as Dev’s grandmother changed into coronary heart wrenching. Anil Kapoor as regular changed into accurate. Above all the Director and his remedy of the film was spell binding.
The songs are melodious and meaningful. i’ve seen this film as a minimum 6 times and each time I loved it even extra than before. i’d advise to the viewers they have to see this film as a minimum a pair times to without a doubt admire the movie. In all i might say it is a poetry in movement.
follow your heart, the Mann promo says. Indra Kumar obviously did. The director, regarded for making cacophonous comedies – rumour is that actor Sadashiv Amrapurkar shouted so loud even as appearing a scene in Ishq that he surpassed out – famous his sentimental side. Mann is a two-hankie weepie.
Kumar takes the 1957 Cary furnish-Deborah Kerr classic An Affair to recollect, steals the quality strains – along with supply’s memorable “This ship is going a great deal too speedy” – dumbs it down, adds some crass comedy and energetic song ‘n’ dance numbers however nonetheless makes it paintings. So Dev (Aamir Khan) is a high-flying playboy who meets Priya, (Manisha Koirala), a simple music teacher, on a cruise from Singapore to India. each are betrothed to different people. despite Priya’s first-class intentions, she unearths herself falling in love with the loutish Dev and Dev unearths himself turning into a higher man.
when the cruise ends, the two resolve to meet on the Gateway of India (a super replacement for the Empire country building of the authentic) on Valentine’s Day. in the following six months, the two untangle themselves from their past – he dumps the rich brat he was marrying, even as her boyfriend (Anil Kapoor) gallantly steps apart.
however on the way to the rendezvous, she meets with a tragic accident. now not looking to burden him along with her incapacity, Priya goes lower back to her life, by no means contacting the despondent Dev. extra tears are shed earlier than the enthusiasts are finally united.
Kumar would not have the manipulate of craft or the finesse of a Sanjay Leela Bhansali, who served up a much greater textured triangle in Hum Dil De Chuke Sanam some weeks ago. despite the blueprint of the original, Mann meanders. the second half of overdoses on sentiments, unhappy songs and susceptible suspense as Priya almost marries her fiance. And in locations, the common sense starts to falter – Dev goes in a single day from being penniless to a hoarding painter to a famous artist.
however Kumar’s emotions are in the proper area. And the performances preserve up even in the trite scenes. Khan and Koirala, two of Bollywood’s satisfactory performers, healthy tear for tear. Khan, who probable hasn’t cried this a lot given that his deserted husband act in Akele Hum Akele Tum, loves and loses with grace.
Koirala, lower back in shape after duds like Maharaja and Achanak, grimaces inexplicably through the first hour but extra than makes up later, in particular within the scene wherein she discovers her disability. Dressed down and unpainted, she looks almost ethereal. And Sharmila Tagore, notwithstanding a horrific wig, continues to be simply as cute.
Mann, in contrast to Kumar’s earlier works, is easy on the attention. way to artwork director Sharmishta Roy and cameraman Basha Lal, even a sanatorium room is color co-ordinated. The film has been crafted with care. Kumar throws within the mandatory masala-low forehead comedy and a chunk of music. but this time, he’s aiming better. Mann is a massive bounce forward.